Bermer remains revered in Tulu Nadu, between the Western Ghats and Arabian Sea, where his story continues to resonate through songs, rituals and whispers under banyan trees. People remember him as their oldest spirit, one that guarded their land long before temples rose or monarchies took control. Bermer stands as an intermediary between earth and sky in Tulu Nadu folklore; his spirit provides the connection between people, nature and unseen forces that connect our daily lives to his presence here on the land.
The word Bermer comes from the old Tulu term berm, meaning “Ancient.” It marks him as the first among the Daivas, the local guardian deities of this region. Oral epics, known as Paddanas, describe him as the one who existed before creation. When the seas still covered the coast, Bermer shaped the land and blessed it for human life.
Many scholars trace his roots to pre-Vedic times. They see Bermer as a local form of the creator, long before the name Brahma entered the South. In these stories, he commands other spirits and sets moral order among them. For villagers, he was the unseen chieftain of their gods.
Though the centuries changed rituals and languages, his presence never vanished. The people of Tulu Nadu still speak his name with the same quiet respect that their ancestors once did.
When people imagine Bermer, they see a rider on a white horse. He holds a spear or sword, and his eyes watch the horizon. His strength stands for courage; his mount stands for freedom.
Shrines called Bermer Gundas appear near rivers, groves, and open fields. They are simple stones under trees, not marble walls. The wind and birds guard them more faithfully than priests. These spaces show the bond between the folklore of Tulu Nadu and the natural world.
Archaeological studies note that such shrines were once the heart of community life. Villagers gathered there to pray, train in martial arts, and honor their ancestors. Later, when temple systems grew, Bermer often merged with other deities. Some saw him as Naga-Bermer, the serpent guardian. Others called him a Kshetrapala, a protector of temple lands. Yet, the spirit behind all these forms remained one.
The worship of Bermer continues through the vibrant Būṭa Kōḷa tradition, a ceremony where humans embody divine spirits. During these nights, drummers beat a rhythm that rises with the flames, and a chosen performer enters trance. When Bermer’s name is called, his presence fills the air.
In these moments, faith becomes alive. People come to seek justice, forgiveness, or a sign of peace. The performer speaks as Bermer, guiding the community with calm authority.
Offerings remain humble: tender coconuts, rice, and toddy poured on the earth. Each act links the living with the ancestors and the land.
Bermer also blesses young warriors before contests. In the old Garodis, training schools of Tulu Nadu men sought his strength before battle. Even today, elders recall how courage once began with Bermer’s blessing.
The folklore of Tulu Nadu often joins Bermer’s story with that of Parashurama, the warrior sage. Parashurama, in Hindu tradition, reclaimed this land from the sea with his axe. Bermer, in local tales, shaped and protected that very soil.
Both figures create and guard. Yet they belong to different worlds. Parashurama belongs to the Vedic pantheon; Bermer rises from native earth and wind. Some priests say the two are mirrors—one divine, one folk. In their harmony lies the story of India itself, where local gods and classical gods live side by side.
This meeting of myths shows how belief adapts. When new traditions arrive, the old ones do not vanish. They weave together, forming a shared spiritual fabric. Through that weave, Bermer survives not as a rival, but as a root.
Over time, formal religions like Shaivism and Vaishnavism absorbed many local spirits. Yet Bermer’s essence lingered. He appears in songs like the Siri Paddana, where he guides heroes and blesses their paths. His voice speaks of justice, truth, and balance, values that never age.
Modern scholars view Bermer as a symbol of transition. He represents how early tribal beliefs grew into structured faiths. His worship blends ecology, ethics, and ancestry into one living idea.
Today, festivals, documentaries, and art revive interest in the folklore of Tulu Nadu. Films such as Kantara have brought these ancient deities back into public view. While artistic retellings may differ from old myths, they remind audiences that the sacred still breathes in local soil.
For the younger generation, Bermer is not a distant god. He is a part of heritage, a link to identity and belonging. In an age of speed and noise, his story teaches stillness. It teaches that guardianship begins with respect for the land and its memory.
Though our world moves fast, Bermer remains focused on his message to all. He reminds them that creation and protection aren’t ancient duties; rather they belong to all who work, farm, teach or heal here on this land.
Local communities still maintain small shrines and hold Kola rituals annually, which attract tourists with curiosity; yet locals respect these structures with great reverence; each stone, each flame stands as a testimony to continuity.
Environmentalists and cultural historians now study these spaces as examples of sustainable spirituality. Open shrines under trees represent how ancient faith understood many principles taught today by modern ecology.
Bermer stands as both an embodiment of past memories as well as an icon for future coexistence between humans and nature.
Over the centuries, Bermer’s presence faded with the rise of Shaivism, Vaishnavism, and Shaktism, yet his influence remained subtly embedded in regional customs. He appears in Tulu epics like the Siri Paddana, often guiding or blessing heroes in their moral quests.
Modern anthropological studies identify Bermer as a transitional deity, a symbol of how tribal spirituality evolved into organized religion. His memory survives through festivals, folklore performances, and revived interest in Daiva Aradhane (spirit worship). In contemporary times, cinematic works such as Rishab Shetty’s “Kantara” have reignited global curiosity in deities like Bermer and the broader Tulu Daiva pantheon, positioning him as a key inspiration for divine justice and spiritual ecology.
Bermer lives on in Tulu Nadu’s rich folklore as both myth and memory; his presence can still be felt throughout coastal waters in stories, rituals, or whispers about him that come and go from Tulu Nadu. Bermer was first guardian; silent creator; watcher who never left us; his form may have altered over time but his spirit remains as ever present – No matter which direction the winds blow him in or away!